Norman Parkinson
Top:
Vogue, 1949
I enjoy the obscurity and old-fashioned nature of his photography. He's good with color and keeps the palette fairly basic. There seems to be quirky personality and sense of elegance to all of his images, and they are carefully and obviously staged.
Bottom:
Appllonoa van Ravenstein;
For Vogue, 1971
Appllonoa van Ravenstein;
For Vogue, 1971
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